POETRY

‘of shifting light, and changing skies’,
there is poetry all around
Edinburgh Park.

Poetry is helping us to shape cultural life at Edinburgh Park with the architecture, sculpture and surrounding landscape all used as subject matter.
POLARIS
Polaris is Edinburgh Park’s bi-annual literary zine, showcasing a series of poets commissioned to write about the art displayed on site, whether on the grounds, hanging from the walls or in the very architecture of the buildings themselves.

Issue 1

The pilot edition, collated on the autumnal equinox of 2023, focuses on Leon Kossoff’s ‘Minerva Protects Pax From Mars’ which has been woven into a tapestry by Edinburgh’s Dovecot Studio.

Issue 2

Our second edition of Polaris welcomes a centennial commemoration of Eduardo Paolozzi, March 7th 2024 marked 100 years exactly since his birth.

POET IN RESIDENCE
JANETTE AYACHI

Janette Ayachi (1982 - ) BA (English Lit. / Film Media, Stirling University) MSc (Creative Writing, Edinburgh University) is a Scottish-Algerian poet. She’s a regular on BBC arts programmes & she collaborates with artists & performs at festivals internationally. Her poetry, prose & essays have been published & translated into a broad range of newspapers, magazines & anthologies. Her first poetry book Hand Over Mouth Music (Pavilion, Liverpool University Press) won the Saltire Poetry Book of the Year Literary Award 2019 & her book QuickFire, Slow Burning (Pavilion, LUP) was shortlisted for The Laurel Prize& for Scotland’s National Book Awards 2024. She’s now writing her travel memoir Lonerlust& her debut fiction novel Sweet Figs.

Visit janetteayachi.com

Naming Strategy
(Naming the new streets at Edinburgh Park)

Art adds flavour to a place, it enlightens us as a society, reflects and creates culture, it educates us and awakens all our senses, as a human condition, there is nothing more potent than engaging with a visual aesthetic that speaks to our inner sense of self and how we see ourselves in the world.

Art soothes us and assists in our survival. Whether we as artists use ourselves as subjects; as writers who channel autobiographically, as designers who think outside the box from inside the smaller box, as photographers who capture something of the moment that others’ missed, or as architects who work climate change into their vision; it is the consultants and curators who are the ones that are creative with space, they open up a civilisation of sharing and generate new paradigms, new ways of looking, new ways of holding.

As a poet, at no time did I dream that I would one-day name streets or buildings or a large part of the city, (or appear on TV chat shows) yet it is happening because people are asking for more poetry in their every-day, it helps us feel alive again after being stilled, shook and shoved sideways by all the desensitising media of our year, never has our readership felt it more deeply. But of course, poets are wordsmiths, poets are memory keepers, and we abbreviate meaning from a reduction of wide emotion, history, culture and landscape, so indeed, it seems fitting for a poet to play with that language of giving name and title to things. These things are meant to last, these things are what we leave behind as evidence of how we lived, and we are seeing, time after time, the need for art in our environment to keep our teachings fresh. The Romans wanted their art to be useful, to tell the future generations something of the past. And I think, similarly, Edinburgh Park carries that circumference, there is storytelling in the  environment, each curated creative has depicted something that has a deeper or wider tale to tell and variant symbiosis to share. We are not just looking, we are engaging, we are thinking. What felt impossible has now become thinkable.

It is a delight to see the first of these street names now sited at Edinburgh Park – Airborne Place

COMET KISS
Edwin Morgan (1920 – 2010)
The galaxies slipped into kaleidoscope once more
comet kisses melting against sun, at seventy.
CARRADALE GARDENS
Naomi Mitchison (1887-1999)
High over the harbour of Carradale; ghost quatrains written, clams cooking, washing blowing in the wind.
BEAT STREET
Douglas Dunn (1942-)
Voyages of navy fleets attack the broken heart Blood keeps the undaunted beat from the end to the start.
HAAR STREET
Douglas Dunn (1942-)
Gregorian thunder, haar, sunsets change colour, the sea's spherical miracle sings us back to shore.
GENIE AVENUE
Hugh MacDiarmid (1892-1978)
Summer is a genie promising to offer us whatever we wish from the triage after Earth's crash.
BOTHY WYND
Edwin Morgan (1920-2010)
The galaxies slipped into kaleidoscope once more comet kisses melting against sun, at seventy.
MOONSHINE WYND
Sorley MacLean (1911-1996)
You let the birch tree decide its moonshine bardic cry as the long dead walked the empty forest of Raasay.
JIGSAW MEWS
Tom Leonard (1944-)
I saw thi wurd jig through the sound like my heart bypass an open dictionary in my chest, jigsaw fast.
AIRBORNE PLACE
Liz Lochhead (1947-)
My tales won't speak abstract art, they fall apart in paint; I want them to live in air, the streets that they were born.
HOMER LANE
lain Crichton Smith (1928-1998)
Raised in plain Highland mud, cities glittered for you; Homer in hand, heart undone, fast trains, a well-stocked mind.
VULCANO
POEM

The poem "Vulcano" by Janette Ayachi was commissioned by Edinburgh Park to complement the view from the reception area of 1 New Park Square. The poem reflects the striking presence of Vulcan, the iconic sculpture by Eduardo Paolozzi, situated just outside the building.

A POEM ABOUT
LIVING ‘HERE’

Murrayburn Primary School pupils attended writing workshops led by renowned poet Colin McGuire.

Entitled ‘Here’, all of the pupils in the class contributed to the poem which explored their sense of their home area. As part of an initiative between Parabola and Push The Boat Out (PTBO), Edinburgh’s International Poetry Festival, a class of pupils from Murrayburn Primary School attended writing workshops led by renowned poet Colin McGuire and created a poem for display on marketing hoardings at Edinburgh Park.

Here

Living here is like the sky roaring
while an astronaut lands on the moon
and clouds make shapes.

Living here is a delicious, layered cake
with lots of different ingredients
that make it taste sweet.

Living here is an ice-cream in summer
that gives you an ice-cream smile
and dribbles through your fingers.

Living here is just right.
It’s more than money,
better than buildings.

Living here is the centre of our universe,
a solar explosion of cheerfulness.
It is a flying miracle.

NEON SIGN
‘of shifting light,
of changing skies’

Phrase taken from Alexander McCall Smith, “This is a city of shifting light, of changing skies, of sudden vistas. A city so beautiful it breaks the heart again and again.”

Designed by DNCO and made by Solas Neon Sign Co.
Size: 5420mm (h) x 3650mm (w).
Materials: Neon, Argon fill; on a steel box sectionframe.

DOWNLOAD OUR
ARTS STRATEGY

Publication documenting the ambitious arts strategy for Edinburgh Park, which aims to build a respected cultural reputation for Edinburgh Park as a new destination within Edinburgh’s world-class cultural offer.